Analysis of Rihanna Digipak.
We decided to look at two of Rihanna’s album digipaks as they convey two
very different styles, showing a clear transition in her style of music.
The first digipak with her bright red hair could easily be mistaken for
a classical artist with the soft vibe of the pictures, even though there are
the brightness within the flowers and hair it is a very soft tone and very
feminine, although when she changed her hair colour to red it was seen as a
very quirky thing to do, the pack making this centre of attention with the
roses being the same colour as her hair and the image of her being very close,
linking the lipstick to her hair again.
Her eyes are closed and this is rare for an artist to do as they usually
focus their eyes so that the audience connect, however, it could show that she
is feeling the music, creating an emotional connection which then brings the
effect of the roses into relevance. Her facial expression and body language on
the fold out show emotion maybe hurt which by again using emotion like Kanye
did to link with your album intrigues the audience and could entice more sales.
The red with the dark skin and the dark green bushes contrast well and
allows the bright colour to stand out more, as we are using a dark skinned
model we could also focus on using bright colours such as red as this contrasts
well, also the title in simple white bold writing 'LOUD' although written
subtly suggests she is now speaking out.
At first, when looking at this digipak it was very classic and subtle, a
feminine look, however, when looking at it closely it in fact conveys danger
and love and lust, something that people will find intriguing and a direct
connection to her genre.
Rihanna’s latest
album Unapologetic does not sugar coat the raw sex appeal that she is going for
in the way the Loud album does, she appears nude with writing on her and the
black colours give her a sense of danger, the short hair works with the ‘baring
all’ look that she has gone for, appealing much more to the hip hop genre.
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